Tokyo    -[第二人生 | second life]

因为和second life里的日本女子aki互换了真实身份。卸下面具以后,发现我们之间惊人的相似和不同。

去second life的大多数欧美人,大多是目的性很强的。他们要么通过虚拟世界的踏板,宣传自己在真实世界当中的各式各样的商业,公益,或信仰;要么通过虚拟世界赚钱 - 开虚拟店铺,虚拟房产中介,虚拟画廊;要么是去体验虚拟性爱奇观。他们的目的性,往往在与他们交流不超过10句话,我就能体会到。

唯独虚拟世界里新搭建的[东京]不同。[东京]内的所有设施,全部都是在日本本土的日本人士搭建的。(虚拟世界里还有一些美国人眼里的[日本],比如chi和japan resort,和这个[东京]是截然不同的)。这个[东京]里的居民,他们打扮时髦,却很沉默,90%的人只愿意用日文交流。他们投资了很多钱力,开出一些免费的咖啡,免费的photography studio,和几乎免费的精品店,可我却很难看他们有什么直接的目的。即使我和一个日本居民交流超过50句话,我怎么也看不清楚电脑屏幕后面坐着的那个人的表情。aki曾说过,

[ 现代日本人在现实当中感觉很疲惫,所以来到假想世界的。

试图寻找相似气息的人,得到一点点的安慰。

而假想世界,满足人的深层心里,化装愿望。

假想世界和真实世界,哪个是人生的本质?

我认为合并起来,是那个人的本质。

人们反复贴”自己做“的商标。

也有被别人贴的事。

为何做那样的事?

恐怕,如果不那样做不能活下去吧。]

昨天我们采访了一位年仅24岁的日本家庭妇女,福島人士,英文表达流畅,受过高等教育。其实与她调侃的时候,我的真实表情是很沉重的。我试图着想像着3D世界后面的那些脸孔,何等的压抑。我想,aki一定更加觉得沉重。

为什么他们穿成那个样子?

为什么有看上去象4岁儿童的草莓娃娃(实际上是一个成年人操纵的)?

为什么到处都是日本高中女生形象的照片?

为什么有那么多免费的自照场所,让你可以摆出av女郎或者钢管舞的姿势?

有没有看到孤独的表情?矛盾的内心?是不是必须要这样子,才能满足到自己的另外几面?

我想虚拟世界是现实世界的一面镜子。

而chara oh是我的镜子。

所以我和aki决定开始一些更具体的SL文化研究合作。Yokoso! Tokyo里的照片是其中一部分。而真实身份是文字工作者的Aki,会负责文字方面的工作。虽然现阶段语言沟通困难极大,文化差异也很大。但或许那样,才能擦出更多火花吧。

不过她真人实在太太太辣,所以不能公开照片(i'm not joking)。

posted by jeuce  2007-05-16 12:20 |  permalink  |  edit | comments?(2) | trackback(0)


One Country, Two Systems!    -[第二人生 | second life]
posted by jeuce  2007-05-15 15:46 |  permalink  |  edit | comments?(4) | trackback(0)


Yokoso! Tokyo    -[第二人生 | second life]

请大家去看我的Yokoso! Tokyo,延续的系列,是我在second life东京街区的所见所闻。另外还增加了一个小故事We are hosting Odyssly,大家可以看看我的新demo skin。Odyssly是SL里的一个新媒体展览馆,demo skin是Second Life里卖皮肤的人们做的免费的试验皮肤,为了防止人们长期使用免费皮肤,一般会有demo字样出现在脸上。

介绍(pooo看见这篇请帮我看一下有没有语法错误):

Text: Chara Oh (我)

Whether you've visited japan or not, it is so frequently referenced in literaturea and cinema with hyper TV commercials, computer games, high technology and karaoke. When I visited Japan in 2002, I stayed at Hotel Century which is a five star hotel opposite Takashimaya Times Square Shinjuku. When I looked outside of my hotel window, I was totally confounded by the amount people crossing a 4 direction traffic cross outside Shinjuku JR Station. It was inconceivable.
Have been suffered from Agoraphobia disorder since seventeen, I wasn't been able to go outside during daytime while I was in Shinjuku. There were just too many people for my nerve system to handle.
However, being a fan of Japanese literatures and movies for many years, I am always interested in Japanese pop culture and Japanese human beings. Therefore, observing Japanese people inside Second Life virtual community is one of my interested topic today. One of the main advantages of the virtual world is that the barriers to freedom of movements and distrust to strangers camera are somehow overcome. Yet, I can still discover interesting cultural phenomenons in a fully 3D virtual world.
I also constantly question myself: What do photographs mean in a fully digitalized environment where each avatar is controlled by an unique human being? Are they still photographs? I think images created in Second Life challege what we mean by "photography" in the digital age. Therefore, I have put myself (avatar Chara Oh) in all of the images in this set. So the images have an unique identity and they give the viewer impression of "constructed self-portraits" rather than "documentary photographs" in the virtual world.
As you would guess, I am currently obsessed in observing all different kinds of avatar activities in Second Life.
By the way, "YOKOSO! Tokyo" means "YES! Tokyo". It is one of the few Japanese vocabularies I knew of.

 

posted by jeuce  2007-05-14 23:49 |  permalink  |  edit | comments?(1) | trackback(0)


0100101110101101.org - 重创约瑟夫·波依斯的《7,OOO棵橡树y行动》    -[第二人生 | second life]

一直很活跃的网络互动媒体 0100101110101101.org (其实是Eva Matts和Franco Matts夫妇)原来早在1年前就开始了second life的创作。今天我去访问了他们目前在second life里进行的行为艺术项目 - 在虚拟世界里重创约瑟夫·波依斯的《7,OOO棵橡树行动》。

背景资料《7,OOO棵橡树行动》:

《7,OOO棵橡树行动》(7000 oaks,1982一1987)的环境"行动" 是约瑟夫·波依斯(Joseph Beuys)于1982年6月19日开始的一个行动项目。每次他种植一棵橡树,将其配对一块石头。

这个场景中间的黑色人物就是Franco Matts,因为我去的时候他也在线,做了简单介绍后。合影。我说会在自己blog上用中文介绍100101110101101.org ,他很高兴。

我在他为这个行动专门设立的岛屿Cosmos Island上空看剩下的石头数量

以及已经被种植上的树木的数量:

更多照片请去相册欣赏。

相关连接:

http://0100101110101101.org/


Eva Matts和Franco Matts夫妇在second life里另外一些重创已发生过的行为艺术项目


Eva Matts和Franco Matts在2006年的portraits - 写真+创作avatar项目


rhizome.org上的访谈

posted by jeuce  2007-05-09 23:13 |  permalink  |  edit | comments?(0) | trackback(0)


Avatars express identity!    -[第二人生 | second life]

今天我去second life的Ars Virtua画廊参观了Elena Dorfman的最新展览-Fandomania: Characters & Cosplay。我第一次在second life里看到正经的当代艺术家展览,感觉还是很兴奋的。这种体验和去现实世界的画廊,相似却又很不一样。作品是很棒的,有点像马修巴尼悬丝的味道(这里专门不用英文,因为如果被艺术家本人google到这里看我三言两语的把他和马修巴尼比较,一定会很不高兴,当然我这样的评论也是不负责任的,所以用中文)。

资料:

In Fandomania, photographer Elena Dorfman examines the pop culture phenomenon of "cosplay," in which participants dress up in costumes—and live part of their lives—as characters from video games, animated films, and Japanese graphic novels. This exploding subculture flourishes at convention centers, college dorms, private clubs, and in homes across the country. Dorfman puts herself quietly behind the scenes of these fan-based events to create a remarkable collective portrait. As she describes it, "The theater of cosplay has no boundaries, is unpredictable, open-ended. It includes both the fantastic and the mundane, the sexually aberrant and innocent, female characters who become samurai warriors and brainy scientists, and male characters who magically change their sex." Explorations of identity through portraiture are at the forefront of Dorfman's work, with the blurred lines between fantasy and reality a continuing theme. She allows each individual a spotlight in which to enact their fantasy. The effect is pointedly evocative of this new world of role playing and narrative, one in which scenery is secondary and persona is everything.

来源 aperture

Opening April 5 @ 1pm SLT thru May 25

Avatars express identity. The life of and choices made in creating ones avatar are processes that are well known and long lived in real life. Fandomania is an exhibit of works by Elena Dorfman from the soon to be released book by Aperture of the same name. The work is represented through portrait photography and provides an interesting window into the world of “cosplay.” “The theater of cosplay has no boundaries, is unpredictable, open-ended. It includes both the fantastic and the mundane, the sexually aberrant and innocent, female characters who become samurai warriors and brainy scientists, and male characters who magically change their sex,” as described by Dorfman.

In contrast to this both through medium and subject we are presenting the lifesized Fur-Suit portrait paintings of Jay Van Buren. These paintings are executed through lengthy ten hour sittings of the subject in a traditional painting studio. Three of these were exhibited at the BRAVO! art space in Rotterdam, a project of the Foundation D.S.P.S.Ars Virtua finds the contrast of photography and painting interesting especially in the synthetic environment. The discussion of constructed identity is particularly relevent in this new medium and context.ELENA DORFMAN’s work has appeared in the Village Voice, International Herald Tribune, Art & Auction, and Artweek. Her series, Still Lovers, appeared in museum and gallery exhibitions internationally and is the subject of two monographs. An exhibition of her work at Edwynn Houk Gallery, New York, opens on April 5.Ars Virtua is a new media center and gallery located in the synthetic world of Second Life. It is a new type of space that leverages the tension between 3-D rendered game space and terrestrial reality, between simulated and simulation. Ars Virtua is sponsored by the CADRE Laboratory for New Media.

来源ars virtua

拍了些照片,请去chara oh的相册欣赏。blogbus上传不上来了,不知道为什么。

又可以传照片了!

posted by jeuce  2007-05-09 13:14 |  permalink  |  edit | comments?(0) | trackback(0)


在Second Life的虚拟世界里游晃,感受确是真实无比。就像China Tracy说的那样,这绝不仅仅是个游戏。这是一个与真实同时存在的世界。

我的Second Life专用album: http://picasaweb.google.com/charaoh 

Aki是我在SL里喜欢的女孩,对她的真实情况,我知道的甚少。我只是知道她是日本九州岛人,某设计公司的OL。而她也仅仅是知道我在悉尼。她是个很遵守游戏规则的人,我们可以整晚在一起游览各处风景,却不谈起自己的真实生活状况。她喜欢日本名胜古迹,喜欢风景绮丽的地方,据我观察她没有在SL里买过东西,她对SL的商业体系毫无兴趣。

 

环境拥护者的声音也在SL里存在着。古巴比伦小组的讨论上,人们在激烈谈论着世界的贫富悬殊,他们的展览馆里可以拿到免费的古巴比伦面具,免费的古代蜡烛路灯和免费的自行车。一切回归“自然”“朴实”。这样的声音在SL世界里是少数的,真实世界里亦是如此。

这是一个女权主义维护者搭建的空间,有舒服的沙发。我在里面逗留了很久,拍了许多照片。还特地把我在废墟时穿的圣衣脱下,换了套严肃的西装。但头发还是现代感十足的白色,时髦的眼线,削瘦但又不缺头脑的男性形象的拥护女性权利。

后来我来到了shep korvin的工作室,他墙上那幅著名越战的照片影起了我的注意。后来我查了一下,shep korvin是一个SL里的房地产商。

隐私问题在SL里同样存在,我看见某个gadgets商店在卖监视器,这个监视器可以跟踪到谁来过你的地盘。售价L$500。看来虚拟世界和我们的现实社会一样功利,自私,处处充斥着危机。

当然,SL也处处充满着新奇,比如有人送了我一头牛,这头牛的介绍里说:wear me, i'm a riot。以及SL里各式各样的绮丽楼盘和暴力废墟。

posted by jeuce  2007-05-03 23:30 |  permalink  |  edit | comments?(2) | trackback(0)


新衣服,可爱哦    -[第二人生 | second life]

 

posted by jeuce  2007-05-02 16:29 |  permalink  |  edit | comments?(2) | trackback(0)


今天china tracy带我去了很多好玩的地方,我在这个日本村逗留了2小时之久。和一个日本女生聊天,看书,玩海上运动,晒太阳。china tracy买了个新的头发,我也买新墨镜,还有一整套cosplay服。今天我花了很长的时间护肤,修眉,甚至还化了一些小妆(就像我在现实生活中一样)。其实 Second Life 里的 Chara Oh的生活方式,衣着外表,内在品位,甚至是花钱方式都和现实生活中的我很像。他并不是我的一个阴暗点(也就是为什么我到现在都还没有在SL里跟人做过爱,是因为现实生活中的我也不会接受无交流直接fuck的体验)。甚至我很珍惜这个让我暂时忘记自己女性身份的世界,我可以很耐心的和虚拟世界里的女性交流,像一个男生一样的问候她,赞美她,请她喝一被酒,与我滑一次水。但我又不会急着和她们发生关系。所以说,Chara Oh他就是真正的我,他穿着打扮是我,表达方式是我,内在情感也是我(我甚至发现,在SL里引起我注意的也是我在现实中喜欢的那类人)。但Chara Oh是一个真正的男人。这是在现实生活中,我永远不可能变的。

posted by jeuce  2007-05-02 06:49 |  permalink  |  edit | comments?(0) | trackback(0)


Let us meet in Second Life    -[第二人生 | second life]

china tracy开始了一个有关second life的blog。主要介绍她在虚拟世界里的真实体验。如果你想认识tracy,可以去second life里找到她。

 

我不是一个second life粉丝(可能有一天我会变),早在3年前我的导师petra就介绍我们用second life交流使用unreal ed的感受。由于当年我对unreal ed这个3D游戏制作软件的感受是"big hassel“,而那一门课我也仅仅得到了合格的分数,所以自然对所有的网络虚拟世界都产生了偏见。

unreal ed 的界面 

但是,当我看见china tracy丰富多彩的第二人生体验时,不禁有些心动。。。

于是我今天又一次安装了second life,但是非常不幸运的是,这台高龄的PC病毒太多,本该快乐的虚拟人身体验感受总被一次又一次的second life 软件crash而影响。所以,等我的MacBook下周到位了,在和各位在second life里共度良宵!btw,我在second life里的用户名叫做Chara Oh,let's meet and experience the future together! 

 

posted by jeuce  2007-04-22 12:06 |  permalink  |  edit | comments?(1) | trackback(0)


Second Life Addiction?    -[第二人生 | second life]

好了,我快笑疯了。

tofu杂志新制作的second life小广告,对当下沉迷虚拟人生的网络用户开了一个小玩笑。最好笑的是它在这个小广告里用的语言,多么的cheap。请看:

WELCOME TO SECOND LIFE
A WORLD WHERE EVEN FREEDOM IS ENCORDED
WELCOME TO THE MATRIX
THE FUTURE IS NOW!
SIGN IN!

这个广告让我想起假抑郁症药havidol的campign

我想这两个作品的背后其实是在暗指:现在的人天真的相信药物和网络这类的产品是逃避社交和现实困扰的最佳催化剂,而大公司也正是看准了消费者的这种心理,在他们的广告上大作心理文章。这两个打油诗文式的作品都用了一种“看起来像是支持”的讽刺,答应了这个社会问题。

很有喜剧效果喔。

不知道庞大数量的second life fans看到这个广告会怎么样想...

看这个1分钟不到的video请挪步: http://video.google.com/videoplay?docid=1120023985109149737

posted by jeuce  2007-04-21 14:43 |  permalink  |  edit | comments?(4) | trackback(0)



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